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The Gunfighter: Man or Myth?, by joseph rosa
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- Sales Rank: #10248276 in Books
- Published on: 1969
- Binding: Paperback
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A Short History of the Wild West
By Acute Observer
The Gunfighter: Man or Myth?
Joseph G. Rosa lives in Ruislip, England and is the author of a biography of James Butler Hickok. He believes his detachment from local influences in the US allows a more accurate assessment of the wild West era. This 229 page book has fifteen chapters, and a Bibliography and Index. The `Introduction' says the Western gun fights had the image of a "lone crusader who fights evil in order that good may prevail" (p.vii). The gunfighter emerged from the American wild West, although Australia, South Africa, and other new countries had similar violence and lawlessness (p.viii). Thousands of novels and movies all presented legends that became history for most people. [No explanation why people wanted to believe in a hero.] Only Hickok and Masterson led lives that resembled their legends (p.ix). Others, like Wyatt Earp, were the result of fiction. The `Acknowledgments' list the people and Public Libraries who helped him.
Chapter 1 discusses "The Gunfighter Legend", how dime novels and early movies created these legends for an audience that loved them (p.6). Few western pictures are better than those of William S. Hart (p.7). Tom Mix made his flashy suits into people's idea of what a cowboy wore. The gunfighter and cowboy are characters fixed in American folklore (p.12). Chapter 2 tells about "The Wild West". Some of these stories formed the basis for countless western movies. Ordinary common folk, small ranchers and farmers, settled the West. Chapter 3 tells how life on the Frontier influenced later history. Revolvers were a very useful tool. The story of "The Bad Man" is in Chapter 4. Many large landowners hired gunmen to halt small ranchers and farmers, as in the Johnson County War (p.53). [Many western movies of the 1930s used a version for their story.] The common people had established laws and courts against robbers, thieves, and killers (Chapter 5). The number of homicides in the five principal cowtowns were far less than fictionalized accounts (p.64).
The real cowboy spent his time working with cattle, not as a crack shot (Chapter 6). He wore a flannel shirt and a bandanna, not the fancy tailored shirt and pants of a stage cowboy (p.70). Saloons served cowboys and cattlemen for business and pleasure (p.75). Chapter 7 writes about "Policing the Cowtowns". It's a lesson about law, politics, and the economy. Increasing numbers of settlers put an end to the trail-cattle industry. Railroads in Texas loaded cattle to market. Chapter 8 discusses the characteristics of "Man Killers". Chapter 9 tells about famous gunfights such as the "OK Corral" and other lesser known ones. The personalities of gunfighters are described in Chapter 10. Most were good mixers and married. They all would kill when provoked (p.162). [Note how often these gunfights are associated with drinking and gambling.]
Chapter 11 discusses the rival products in revolvers. Colt's version was not original but the most practical. The Walker Colt's performance in the Mexican War made it famous. The 1873 Colt was more rugged and reliable (p.177). Skill with a pistol alone did not guarantee success in a gunfight (Chapter 12). Bat Masterson tells about skills (p.181). W.W. Greener describes what is needed (p.187). Chapter 13 says the "fast draw" seems to be a modern idea (pp.197-198). Chapter 14 tells about the developments in bullets and holsters during this era. A flap on top of a holster gave maximum protection to a pistol. People's ideas of the Old West come from fiction (Owen Wister, Zane Grey, Ernest Haycox, Clarence Mulford, and "Max Brand"), movies, and television (Chapter 15). "High Noon" can't be "the finest Western of them all" if the climactic scene "would never have happened in the real West" (p.210). The Western movie is popular in Japan, Spain, Italy, and Germany (p.211). [Did they suffer from an aristocracy and military-industrial complex and like to see ordinary people win out?]
So why did popular Western films die out? Was it the result of fewer horses and increased costs? Was it the result of the censorship of movies that dealt with working people's concerns and their right to keep and bear arms? Television successfully competed for audiences in the home.
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